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This article examines, in its first part, the symbolic aspects of the relation between horses and men, and the mythical figure of the centaur, most often assimilated to virility and male sexual drive, but also to women and their sexuality. In its second and central part, it focuses on Bartabas and Ko Murobushi's performance, The Centaur and the Animal (2012) while raising ethical issues relating to performing animals. The essay analyzes how this play deconstructs the opposition between masculinity and femininity, as well as between animal and human, among other oppositional pairs such as reason vs. instinct, activity vs. passivity, verticality vs. horizontality or "inclination," immunity vs. vulnerability, life vs. death, animate vs. inanimate, among others. It posits that Bartabas's performance opens the possibility of a posthuman and postanimal perspective on the relation between human and nonhuman animals.

La population gitane espagnole est à la fois sur- et sous-représentée dans la télévision de ce pays. Ce groupe social n'y apparaît en général que lorsqu'il est associé à des délits violents en rapport avec la drogue ou contre la propriété, ou bien l'associant à la musique du flamenco. Cependant, deux émissions récentes, Palabra de gitano et Los Gipsy kings , se sont focalisées sur des familles de ce groupe, la première avec une prétention documentaire et l'autre se plaçant dans le genre de la « téléréalité ». Cet article analyse la représentation des personnes identifiées comme gitanes dans ces deux émissions, en mettant en lumière les traits antitsiganes, racistes, sexistes et homophobes de leurs trames et personnages, mais aussi une certaine capacité d'action de leurs acteurs et actrices, qui leur fait échapper par moments à ce « formatage » médiatique.

Preliminary material /Editors Differences in common -- Impossible Communities? On Gender, Vulnerability and Community /Joana Sabadell-Nieto and Marta Segarra -- The Reason(s) of Nation and Gender /Rada Iveković -- Nationalism and the Imagination /Gayatri Chakravorty Spivak -- The Hostage of the Womb by the Motherland /Belén Martín-Lucas -- Women and Citizenship: Poetry of Power, Time and Space /Margaret Persin -- Bodily Vulnerability, Coalitions, and Street Politics /Judith Butler -- More than Vulnerable Rethinking Community /Àngela Lorena Fuster -- Passionately Losing Onself /Joana Sabadella-Nieto -- Opaque Encounters, Impossible Vicinities /Rodrigo Andrés -- Community and the Politics of Memory /Marta Segarra -- Fiction Traces: The Ideal Community and Historical Sabotage /Eloi Grasset -- What does Difference Have to Do with Community? Derrida's Diacritic Difference /Joana Masó -- Community as Transit and Stammering in Collaborative Writing /Helena González Fernández -- Blood Ties: Interpretive Communities and Popular (Gender) Genres /Isabel Clúa Ginés -- Contributors /Editors Differences in common.

Preliminary material /Editors Demenageries -- Thoughtprints /Anne E. Berger and Marta Segarra -- Animal Writes: Derrida's Que Donc and Other Tails /Marie-Dominique Garnier -- On a Serpentine Note /Ginette Michaud -- Ver(s): Toward a Spirituality of One's Own /Claudia Simma -- When Sophie Loved Animals /Anne E. Berger -- Deconstruction and Petting: Untamed Animots in Derrida and Kafka /Joseph Lavery -- Say the Ram Survived: Altering the Binding of Isaac in Jacques Derrida's "Rams" and J.M. Coetzee's Disgrace /Adeline Rother -- Crowds and Powerlessness: Reading //kabbo and Canetti with Derrida in (South) Africa /Rosalind C. Morris -- "Tout Autre est Tout Autre" /James Siegel -- Meditations for the Birds /David Wills -- CONTRIBUTORS /Editors Demenageries.

Frontmatter -- Contents -- Acknowledgements -- Notes on Contributors -- Introduction: The Animal Question in Deconstruction -- 1. A Refugee -- 2. Swans of Life (External Provocations and Autobiographical Flights That Teach Us How to Read) -- 3. Love of the Löwe -- 4. Insect Asides -- 5. Sponge Inc -- 6. Elephant Eulogy: The Exorbitant Orb of an Elephant -- 7. Troubling Resemblances, Anthropological Machines and the Fear of Wild Animals: Following Derrida after Agamben -- 8. Derrida, Rousseau, Cixous and Tsvetaeva: Sexual Difference and the Love of the Wolf -- 9. Deconstructing Sexual Difference: A Myopic Reading of Hélène Cixous's Mole -- 10. Your Worm -- 11. Mole -- Index